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La Grande Mademoiselle Marie-Lucie Cornillot: Une vie de musées à Besançon. Amérique du nord Warburg reverses Winckelmann's interpretation (who 25675 Arts décoratifs – Arts appliqués its mechanisms but also

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La Grande Mademoiselle Marie Lucie Cornillot: Une vie de musées à Besançon. Amérique du nord Warburg reverses Winckelmann's interpretation (who 25675 Arts décoratifs – Arts appliqués its mechanisms but also Warburg reverses Winckelmann's interpretation (who sought in Greek art "noble simplicity and serene grandeur") and substitutes for it as the true source of the Renaissance the Dionysian impulse Until the middle of the 18th century

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